I talked a lot about 2016’s Ghostbusters when it was relevant, so why break the streak?
News and trailer for Ghostbusters 3 dropped this week. It wasn’t a day late before the usual circus started around it. Forbes already had an opinion piece up from Scott Mendelson mostly concerning the supposed identity politics. The piece is really a piece of garbage, but there’s one bit that I need to pick up from there and why this post got made;
…we have only ourselves to blame. Studios aren’t charities and they tend to want movies that attract moviegoers and make money.
What he has to blame for himself over? The 2016 Ghostbusters was a financial and PR mistake. We can ignore all the political pushing, all the behind the scenes troubles that effectively doomed the piece even before it got off the ground thanks to executive meddling wanting to push certain ideologies and take the movie as is, it’s really a piece of trash. Market is not something where you can survive with an ideology driving your product. If you hire people based on whatever characteristic you want them to have on the surface, it’s going to pay you back in negatives when the time comes to make use what’s inside. You have to have people who are skilled in their field, whatever it might be. Acting, composing, writing, directing, craftsmanship…
Mendelson’s piece echoes the people who don’t care about the end quality of the product or how it might succeed. I’m sure he knows that nobody wanted to see a Ghostbusters reboot, especially not a one that was not done in good spirit. Being mad about the 2016 film’s failure can only be put on the people who didn’t go to watch it despite supporting it. The trailer still might be Youtube’s most disliked, while Ghostbuster 3‘s and its many mirrors have seen a positive reaction. Of course, this alone doesn’t tell anything if the movie’s going to be good or not, and the teaser trailer is very little to go by. Sidestepping the question about nepotism considering Jason Reitman, the trailer does have its mood more akin to the original. If this movie is argued to play on nostalgia, so tried the 2016 one with all the referential quips, locations and so on. Sequels and remakes always play on nostalgia and argument for or against them are largely moot. Except if you’re trying to make something completely new, then nostalgia shouldn’t come into play much if at all. If we believe 2016’s director Paul Feig, he was making something new in his own take, he failed and sank to the bottom like a rock. Entertainment Weekly has an exclusive interview with Reitman, and he has the usual complementary bullshit about the 2016 movie. I can’t blame them, corporate speech dictates you must have a positive view even on your failures and PR disasters in order to keep shit in line. In reality, the faster and harder we forget the 2016 movie exists, the better.
To get back to the original point after that tangent, nothing would’ve kept them from doing Ghostbusters 3 for 2016 outside executives effectively fucking it over. As mentioned so many times already, the 2009 Ghostbusters: The Video Game (Christ, it’s already been ten years?) was effectively considered to be officially unofficial Ghostbusters 3. It had the original cast returning to voice the characters, the writing was done by the same people and it was incredibly faithful to the original core of the movies, especially to the initial idea of Ghostbusters being dimension traveling ghost busting wizards. It was relatively popular game, especially with the fans who knew that this was probably the last time we’d see the group together or get a legit third installment that wasn’t a spin-off of some sort, like the Extreme Ghostbusters, though that series is underrated as hell. However, as said, we don’t really know anything about the movie at this point, so saying anything definitive about is far too early.
We Got This Covered has some possible outlines on the movie. Seeing we won’t be getting the Extreme way of passing the torch to a new team, the movie seemingly has a young boy and a girl as central characters. The boy sounds like what could be a young Raymond Stanz with a hint of 90’s conspiracy zeitgeist, while the girl is effectively described slightly more juvenile and socially retarded Egon Spengler. Then again, some other sources have said that the main characters are group of teenagers, so I guess they could become the new team and be related to the old cast. That would be a bit too convenient, and maybe having them be separate from the old cast. However, seeing it might be concentrating on a small town, families and their connections to past and present, it doe sound like there are familial relations to go about. Then again, Ghostbusters could use a more grass root level story that doesn’t try to be grand in most ways. The first one was world-saving for sure, but the second one was not. It was more about saving one baby and keeping an insane monarch from returning to life and terrorizing the civilisation once more. A more concentrated story would do Ghostbusters some good now, to get back to the basics after all these years.
Personally, I’m not too eager to see where this movie goes to even by these leaks, or overall when the cultural situation is at. It has to hit home well with the market, and I’m not sure if Sony is up to it at this moment. However, the brand is still on the surface after the 2016 fiasco, so maybe hitting the iron after few new patches have been welded in would work. However, after Harold Ramis’ death, this film won’t be the same. Hopefully it handles his passing with class, probably might even incorporate it somehow into the film’s premise how and why Ecto-1’s in a barn. Hopefully a small town in somewhat rural setting would also keep the modern tech devices at minimum, because I’m more than sick of battery running out on our characters, despite nowadays that actually being a possibility. While it shouldn’t matter who makes the movie, at this point I have to pretty much say that Jason Reitman may not be the best possible choice due to his track record, and him being the first fan of the films can work both ways. Being a fan of something and getting to work on your loved franchise in official capacity can just screw things like no other. You might end up elongating things because of perfectionism, your view of the franchise might be coloured by strong personal feelings and taking it off from its core and you might just start introducing new characters that effectively make the old cast unnecessary.
We’ll probably see a lot of new both for and against the movie, but it might be best to ignore all of them outside what can be verified to some extent about the movie’s production itself. Despite political ideology forces some sections of the media to take a piss on consumers, these are ultimately empty posts that mostly to attract reactions. Getting people worked up and mad is easy and profitable as long you manage to balance it right, but only so far. Especially if you take only one point of view with an ideology attached to it, which might just end up burning your through very badly. The same applies to films, and if the 2016 Ghostbusters was to go anything by, it’s not very successful idea.