A review of Frostbite, or How I met your possible doppelgänger

The presented critic on Frostbite and on its elder brother Desucon has caused sort of a small uproar locally, which has caused this blog to gain five times more visitors than usually, more spam and somewhat more uncivilized comments than usual. Well, good. It’s publicity and the word gets out there, even thou it ultimately gets on my own conscience and nerves. Still, a review of the event itself is in order, and if you found yourself getting mad at me during the previous posts I doubt you’ll like this either.

I admit that I came out in a very hostile manner at start, but everything still applies. Naturally, things change in the light of new information. I love how professionally both the main organizer and main programme executive took so (intentionally) overblown critique. Desucon even has an English and Japanese language versions now. It’s a change for the better and a lot of information I recommended having there actually appear in the English site. Then again, the design is questionable as the left-hand panel has English menu while the Finnish menu is still above. It’s unnecessary clutter. Things like this are small but important details, but I’m sure the staff is going to work on the site in future and renew it from time to time.

I went to Frostbite with a hopeful set of mind. It might be cool, I can meet new people and perhaps make some new contacts if needed. There are clearly people who know their subject and are willing to put their best effort to bring out the best showcase possible. The organizers themselves seemed hopeful enough, so it can’t be all bad, right?

Wakamoto finds your lack of- I can't do this
Wakamoto finds your lack of— I can’t do this 

I won’t go through the whole event, but I’ll talk about few key points that really stood up to me, because they can be applied on the general level as well. All the points are not negative, but there are some big issues here that need to be addressed.

The overall event is as with any event really. The opening came and went. Since every event is handling their openings well enough, it was expected for this to be without any difficulties. During the opening you could see that there was nice selection of people of all ages, and in the hallways I caught some English, Russian and Swedish. During Wakamoto’s event there was a French guy, but we’ll come to that later on. I met a lot of familiar people and all that, but sadly I was unable to greet a newfound friend at any point. Oh shoot.

Speaking of languages, all the signs within the event parameter lacked all sort of English text. I see no reason to not have English text when you know that there will be foreigners.

I contacted the main organizer Mr. Myyrä in order to get some hard facts. He was most helpful with my inquiries. One of the things I wanted to know was the overall visitor amount and the number of foreigners. Please keep in mind that these are loosely translated from Finnish.

– Visitor amount
 The number of visitors was the maximum amount of tickets we sell for Desucon Frostbite, which is 2700. This was too much, as the visitors tend to stay inside during winter, which makes the Sibelius Hall rather tightly packed.
To last summer’s Desucon we sold 2900 tickets and this seemed to work for the space we had. This is why we will sell the same maximum amount of tickets this year as well.

–  Amount of foreign visitors

 The number of foreign visitors was around 20.  When you count the visiting Swedish convention organizers and the likes of Russian Pro Cosplay magazine’s journalists, this rises to around 35. This is about 1% of all visitors.
See? One. Percent! Now you might think that I’d back down about this subject. No, this is a great number considering how small scale the event is. That 1%, if nurtured well enough, can be grown into a higher number. It’s a start, a seed that needs some water and good ground to grow from. However, this would mean that the whole system would need to grow, and most likely this would mean a change of place.
Midday Sunday
Around Sunday noon. You’d think that the main hall had that much room to move in all the time but no

While wandering the hallways and checking everything through, a friend of mine heard a couple of youngsters asking each other Why won’t they get a bigger place? The question is valid. There clearly is demand for a larger event. Of course, there are numerous problems with this, starting with first finding a bigger structure to house the event, the higher price of the event which would most likely be seen in the price of the ticket at first until proper visitor numbers are listed and the general increase of certain workloads would be somewhat significant.

Desucon, as well as Frostbite, has room to grow. However, as evident from the plans the organizers have for the summer’s tickets, it’s clear that they have no intention to allow these events to grow.

– The amount of cancelled tickets and how fast they were resold
The amount of cancelled tickets was around one hundred and they were resold in less than 10 minutes. This sort of system where we sell the returned tickets is not functional, thus we will most likely refrain from selling cancelled tickets in the future, unless something strange happens.
The amount of returns and the speed at which they were resold tells that there is demand for a larger event. Seeing that Desucon has a reputation of sorts to be the definitive convention in Finland, I see no reason for keeping it from growing and expanding to accommodate the growing number of visitors as well as strive for higher quality program. However, there are many things that I assume are holding the organizers back from changing the place from Sibelius Hall to some other place. The paperwork it would take, planning, advertising and all that take their own time, and then there’s the fact that some people see the Sibelius Hall as the place for this specific convention. [Oh bullshit!.Edit] However, we must recognize that if the convention is going to grow for the better, it needs to be allowed to grow in size as well to a certain point where the the amount of tickets and the willing the willing amount of visitor meets. It’s now evident that Sibelius Hall has become too small for this event, and more room to the sales hall wouldn’t hurt either.
It’s a question I wish the organizers to ponder among themselves whether or not they are willing to expand the existing convention to a larger space to serve more customers. If they are not, what are the real reasons behind it and what can be done to serve this smaller amount of customers better. Getting the program quality up would help a lot in this. Actually, that would be the most important step.

Speaking of the space, there was a strange design decision to attach balloons around the guardrails in the stairs, which effectively prevented from using the said guardrails and there were few people who got caught into in them. Attaching them outside the rails would’ve been a better bet, and better for the overall safety of the event. 

Question of space also became evident when visitors began to loaf around, blocking the hallways. I would have wanted to see the patrolling security to separate these blocks and instruct the loafers to move into somewhere they have place to do so, like the cafeteria or the main hall. Naturally, this is because of the aforementioned amount of visitors.  Naturally, the security guards there were pretty chill people, laughing and joking with the visitors.

The ongoing stuff, like the games room and such, were somewhat higher in quality than standard, offering more consoles than some other events, but the overall selection of games seemed to be somewhat limited. Only a certain selection of consoles had a large selection, while others had distinctly scarce. They had a damn PC-Engine there, which I gladly tested through and through in every occasion I could.

I understand why PC-E failed in here West while it enjoyed a moderate success in Japan. It also has an awesome design only with few negative things. It's also tiny!
I understand why PC-E failed in the West while it enjoyed a moderate success in Japan. It also has an awesome design only with few negative things. It’s also tiny!

I need to do a design review on game consoles some day.

There was also a small incident with the ongoing traditional games on Saturday evening, where the players were promised continued light, but due to the evening party all lights were cut down, effectively preventing these players from seeing what they were playing.

But let’s get to the programme itself. It’s apparent that the staff aimed for variety, and in that sense they did succeed. It’s not that easy to juggle different programs so that they do not overlap with the same theme and that they offers options for the visitors. However, all of this is for naught when the programs themselves are lacking in content and quality. For example the Sunday morning’s Gundam show was rather awful. Ville Siivola, the presenter, seemed to spend one year watching through all of Gundam metaseries and not getting but parts of it. While Gundam shows do repeat their certain themes, the UC and Seed series are the only ones that truly share solid common elements. Comparison between Wing and 00’s themes is a bit amiss because they are vastly different as well, but I guess it’s understandable for a person who didn’t really give a damn about the franchise and missed pretty much all the important details that were on the screen. The programme was lacklustre because it was just an opinion and not worth a programme block. Loads of the arguments presented there as well as overall knowledge of the franchise and on the overall era of each series were pretty baseless. While it’s good to see new people watching old shows with open eyes and with no knowledge of the situations surrounding the series, for a presenter to completely dismiss them is just plain stupid. This is a problem, because it’s a controlling element, and can be weeded out if the organizers keep the presenters in a short lease and edit their programs to a point, much a book editor edits a writer’s book. You can have a subjective show for sure, but that’s not an excuse for ignorance. I find it laughable that Siivola recommended the Gundam Crossbone comic, but said soon after that he only knew of the animated works when he was inquired about Gaia Gear. Good thing nobody brought other side-materials out then. The things would’ve gone even more awkward. 

This is a problem, as from-users-to-users, or user created content, rarely produces good content without a harsh screening.

While other programmes were much more knowledgeable on their subjects, majority of them fell into the same pit of having a subjective view of their own; a zero facts show, where everything is assumed. To some extent you’d think that they were paid to advertise products, but I’m sure this wasn’t the case. I only know one event where a presentation was made to advertise a product, but less said about that the better. On top of that, all the classical errors you could do in a presentation appeared from talking over with your host, turning your back to the audience and reading what’s on the screen. Perhaps all people who are admitted to have a panel or presentation should get a some sort of memo from the main staff what not to do during their show. 

The main stage also was almost completely empty of programme, which is really strange. It’s a shame that a large stage like that was mostly ignored when it could’ve been put to good use.  While it is known that the main stage needs to empty for rehearsals and walkthroughs, that’s not reason to leave it completely useless.

In short; despite the efforts put in the quality and variety in the programme, the results could’ve been much better. Not to say that there was no good presentation or panel, like the Invitation to Japanese comic studies, but we can all agree that two or three pearls doesn’t make the overall schedule shine as it should. In the end, it’s up to the main programme manager keep up the quality of the programme. It’s not enough just to take people in and have them do content, but this content needs to meet certain standards, and it appears these standards have never been set.

It’s also a fault that from-users-for-users format never really works when aiming for high quality. This user generated content is always a finicky thing. You get one or two decent results through that, but on the long run the system becomes abused in a way where the user comes in with content that is basically worthless and still gets a free pass. In this case, a lot of people make content for conventions just to get in free and don’t care if their program is good or not. What I’ve gathered was that Desucon was made to bring high-quality events and programme into Finnish convention scene, but as they are now they’re just as bad as any because of the system abuse. While the concept is sound at the base level, it falls apart when you take into account how little your run-of-the-mill person cares what he puts up.

However, the main event itself was Wakamoto on stage and you really can’t screw this kind of thing up. Except, y’know, when it comes to translating audience’s questions to him.

I’m glad they set the rules before anything else; taking photos are OK except when video footage was on, and taking video was banned altogether. I should’ve taken sound next to my photos. This is completely understandable as Wakamoto’s voice is his trade. The footage they showed had original Finnish subtitles, which is a great way to circumvent some licensing issues, thou the footage itself might’ve had some issues, but I’m sure the staff managed to get around that as well.

Wakamoto on stage

However, when it came to the second part of Wakamoto’s stage show, where he answered to questions from the audience, the translator was really struggling with some of the questions, and few questions were poorly translated, which led into Wakamoto misunderstanding the question. This is unavoidable to an extent, but noting that the translator lacked certain knowledge and finesse tells that either this person had a huge stage fright going on or wasn’t really up for the task. In situations like this it’s completely acceptable to hire a professional translator with proper experience if possible. Considering the translator himself was most likely a fan, I find it stupid for him not recognizing YouTube: M.D. Geist, not even from the context of the event. I could’ve expected that from a translator who isn’t accustomed to talk about the subject, even when from the context it’s damn clear that it’s something to do with Wakamoto and anime scene.

No, he didn't wear shades but he should've had.
No, he didn’t wear shades but he should’ve had. After all, he IS Most Dangerous Wakamoto

Now, there was this competition between artwork and Wakamoto impressions. Two best artworks would win and so would the best impression. Sounds good. There was a relatively low amount of contestants in the artwork side, about thirty, and knowing the level Finland has with its fanartists it most likely yielded something exceptional.

Ladies and gentlemen, plagiarism
It’s not even a good fucking trace!

Now excuse me for being coarse the next paragraph but what the hell is this shit? THIS is the winning piece of fanart? If you allow this piece of plagiarism win a contest, what the fuck were the competing works? Put up a damn gallery on your website so we all can see them. This is not fanart, this is a bad trace of an existing comic panel and it’s bad at that. Who the hell was in charge of this contest? It doesn’t help that the second place was won with a picture of Cell from Dragon Ball Z that looked like it was made with fucking crayons in ten minutes. Where’s all the awesome artwork we usually see? The level of the contest shows that people didn’t give two damns about it. God, I wish I had participated with a screenshot from Gunbuster with some new rasters. It would’ve been the same damn thing. This is just bullshit. I’m not even going to criticise the Wakamoto impression because it was horrible and embarrassing to listen to. I’m addressing this critique to both the staff and to Isoaho himself. Letting a tracing to win an art contest is a mistake, but Isoaho also managed to screw the picture. If you compare it to the original panel, you can see every little and big mistake he has done. Either Isoaho can’t draw or he sucks at tracing. On top of that, as a separate artwork the picture is dull as hell in contrast to the original. Good job at fucking up a good comic panel. I really want to see the other participants’ works as well, and they could put up a gallery in Frostbite’s page. They can’t be any worse than what this piece of crap is.

Beside that, the prices themselves were pretty damn near; an alarm clock with Wakamoto’s voice recorded in it, and his autograph as well. The audience who sat in certain spots with numbers was were in a lottery of who would get the remaining two. To my happy surprise a French person won one of those, and the other was won by a random Finnish guy. Kudos to that guy.

Speaking of Wakamoto, it seems that he only stayed within the country for three days from Saturday to Monday. I really do wish that he had as fun time as claimed, and to see him here for a vacation rather than for work like this.

It had escaped me until that point that the whole show was in Finnish. If it had been an option, some sort of translation for them would’ve been really damn awesome, but as it was now I can’t help but to think how indecipherable the whole event was for them. It’s a matter worth looking into. An English language leaflet would also be an excellent addition. Of course, this would’ve been in limited production and aimed only for the foreign visitors.

These things are rather small, but important. It’s easy to get blind at these things, and Frostbite showed that since their first years the staff have become a bit too accustomed to the way everything works to the point that they have become blind to the more intricate details that need attention, and to their faults that have risen. God live in the details after all, and while the overall frames might work without a fault, all the details are what builds what the customer experiences. I’m glad to see that the organizers are willing to take in harsh criticism and work to get them fixed.

However, there was one large point that I need to point and it comes to the porn sold there. The sales floor was basically a free-for-all zone, and certain sellers sold their pornographic fancomics openly for minors without checking IDs or similar. That’s practically illegal. I’d hate to think that the organizers are unwillingly to take part in sexual harassment of under aged people. As open as I am with porn, I recognize that in an event like this the R-18 comics, toys and so on need their own section behind the curtains with a guard to check IDs when necessary. I’m sure this sounds anal to most people, but I’d rather see Desucon and Frostbite continuing and possibly getting better (rather than worse) than seeing the people charged for breaking the law. I have no qualms for a young person to see porn on the Internet, as it is the parents’ job to instruct and educate the children with this matter, but allowing children a direct access to porn and even allow its promotion is going too far in doing nothing.  It takes one phone call to local Police office and tell, that this event has sellers selling porn to children, and that the organizers are turning blind eye to it.

One thing that makes conventions like this what they are is the fellow participants. Everybody to whom I stopped to chat with were most helpful, interesting and honest. Even when I didn’t get to know these people, nor they got to know me, we enjoyed the new company and laughed at our bad jokes. Sadly, this can’t be attributed for the convention’s own positive nor negative, as this can be achieved in your local library as well. Your standard Finnish doesn’t really break their shells and talk to strange, unknown people. Within this sort of environment ,where you know everybody is just as loony as you, it becomes increasingly easier.

While I did not attend the lodgings provided by the local scouts, I did hear some negative comments on them. As such, the following criticism is mostly taken from discussion with three of my friends who did. According to them, there was a problem with water resources, as the water was cut at certain time, meaning that the use of restrooms and showers was impossible. There was only three restrooms for seventy people, which caused some serious commotions. The showers were also unisex showers, which caused some slight discomfort. Communication between the administrators and the scouts was also faulty, causing some chaos in their ranks. They did get a decent and cheap breakfast, so that’s a plus, but according to this set of people there wasn’t any choices for those with food allergies.

It’s kind of interesting to see that this kind of cheap lodgings provided by the organizers had these problems. Most of the time I’ve heard good things how things work, but it takes only one bad time to get a negative reputation to circulate. I wish things will go much better next time, and that the organizers will take do what they can in order to ensure the flow of water.

I don’t really have any proper closure. Depending on my work and life situation, I’d sort of want to participate to summer’s convention to see how it goes this time. They have time to change details for the better, and start checking the programming. I have been offered a chance to create program, thou that would mean that I have two programs to create for two separate conventions. Not a big job as such, but for a proper programme it takes six months to study and research the subjects if you’re unfamiliar with it, but seeing that I would make other based on brand management, the other would take considerably less time to make. I do understand the implications behind this tactic thou, asking a critic to take part, but I do believe we are not that childish to resort in actions or debate like that. If the organizers wish to comment on the presented critic, I will be publishing their responses as usual.

Events and organizers need criticism just as badly as any service field, and in their place building up proper criticism needs to be something they have to work with. In cases like this, where the event itself is an annual event, it would be good to introduce as much criticism in order for the next year to trump over the last.

Wakamoto is either telling you to Make it so, or Stop that shit now
Wakamoto is either telling you to Make it so, or to Stop that shit now

Let’s finish this off with some music, shall we?

Frostbite and Wakamoto, I’m disappointed

There are few things that really astonish me in local convention organizing, mainly how bad it is. Sure, the conventions are held by amateurs but that is no reason not to aim for the best possible outcome and professionalism. These people seem to think that they’re having a small event for their friends while in reality at the moment their event has taken a world stage step.

Norio Wakamoto is a somewhat famous voice actor within the animation circles, and pretty damn famous in Japan. For the first time he steps outside Japan to visit foreign conventions. This is a huge event inside the scene, and I do know a slew of people that are coming from other European countries to see this man in the flesh. Why do the organizers not realize this?

First of all, their site is still only in Finnish. The organizers need to realize that there is a need for an English language mirror, but because these people are idiots such thing won’t happen. The second is that these people are as underhanded as any scheming moneygrubbing bastard organization would be; there’s no signing event.

Now that link is in Finnish, so here’s the short version; Wakamoto doesn’t give out signatures in general, but the organizers are having a competition where five people get one. Then they explain how Japanese do their signing events.

I respect Wakamoto’s wish to not give out signatures. It’s the choice he has made. Nevertheless, we need to remember that this person is nothing special. He is here to work. He does not only represent himself while being in the convention, but the Japanese animation industry and voice actors in general. This sort of special event demands him to go all out in promoting his works and give out fanservice to a point. Wakamoto has no real reason to refuse a signature event when all previous visitors have gladly taken part in them.

But Aalt, Wakamoto’s Japanese and Japanese people do it differently and we need to respect that.
What are you, racist? When in Rome, do as the Romans do. I do respect Wakamoto’s wish not to give out signatures, but the competition turns the tables completely around. It’s not uncommon for signature events to last only for a certain amount of time, or only serve some fifty to hundred people. Even these would’ve been more preferable than a goddamn competition. It’s lazy and the fault is on the organizers’ back.

You do recognize that this is an event that celebrates Japanese cartoon, so going with Japanese standards is expected?
This would be an otherwise solid argument, except we follow the American convention format with Finnish supplements, and previous visitors have agreed to go full out to make their event something special. Hell Tohru Furuya released the opening song of Kamen Rider Climax Heroes, which he also sang live on-stage. He specifically asked nobody to record it because the song had not yet been shown in Japan. I need to emphasize that this was a huge thing he did.

And the audience outside few selected individuals didn’t appreciate it. It’s like feeding pearls to pigs

To Wakamoto this seems to be a small vacation of sorts, and not anything related to work. For him this should be a huge PR event. While he doesn’t have any obligations to do anything for the fans, it would be in his own best interests to go all out, and spread positive view on everything he is associated with. Right now he comes out slightly asshole-ish.

Still, the organizers are money-hungry idiots of sorts. At least idiots. There is no chance in hell they didn’t know beforehand that Wakamoto wouldn’t give out signatures, so they chose to negotiate this competition and announce it a month after the tickets went on sale. They knew that releasing this information beforehand would also mean that the ticket sales would take a hit. If they didn’t, then these people are not even amateurs.

Where the organizers come out in this whole ordeal is being underhanded and holding out important information. Openness in this sort of events is highly important, and they fail in that on pretty much every occasion. Not to mention that these people are releasing information rather late. Well, the same thing can be applied to our local event, but that’s another story. I wonder if those people have realized that their ad campaign is already late…

I want to iterate; I am disappointed in Wakamoto’s decision to act according to Japanese standards in a Finnish event that follows other Western conventions. I am extremely disappointed and offended how the organizers have handled the whole situation surrounding Wakamoto. And I’m extremely disappointed in every single fan who eats the spoonfed propaganda without stopping and critically thinking for a while. I really hate to put it this way, but a lot of people need to stop sucking up on these organizers and voice actors. Ultimately, these people can only thank their fans. The fans are why they are in the position they are now. While I agree that they don’t have any obligations to do anything more than their job, it is in their best interest to go overboard and promote themselves. As customer we may ask them to sign something, but they have all the rights to refuse.

Of course there are too many fans who do not recognize that when a visitor steps down from the stage, he is off-duty. Ultimately, a Wakamoto producing a service, and not meeting the set expectations is not a job well done.

 

Is it too much to ask some decent quality from Finnish conventions?

When I’m writing this blog I’m trying to write to larger audience in text. Then, there’s times when I let the part of me which is completely in the sub-culture rampage. You saw part of this when I reviewed the Finnish Game Awards last year, and from some of the âge related posts. I’m part of the fandom and part of the people whom with I share my hobby and interests. Then sometimes I see something that makes me boil, something that I wish to punch into the ground and ask WHY THE HELL ARE YOU ALLOWING THIS TO HAPPEN? I ask that whenever I watch Star Trek Voyager and Enterprise. So please hold on to your butts when I go slightly drunkard rage about local fandom that can go screw itself in the forest.

Take this hedgehog with you, you might need it.
Take this hedgehog with you, it might come in handy.

Now, with this second glass of 2cl whiskey and Christmas apple pop I read the event schedule for Desucon Frostbite 2013, an anime convention that is held in Lahti Finland. I don’t usually go to conventions unless I’m one of the workforce and having a panel of sort on my own. A panel two years ago bombed because my co-host ultimately only knew about Macross and Gurren Lagann, whereas I spend a lot of time talking about almost every show. Last year I held that OVA history panel. This year I’m aiming to have a panel about how companies succeed and fail at brand management in both visual and content department. See, I wish to bring some class, some actual content to the local event we have. My aim is to inform myself and others about things that matter more outside opinions. Facts can’t lie. Making a panel of matter that has been talked and debated thousands of times over is not good entertainment nor does it inform. Making a panel about one being uninformed and ignorant draws laughter from those who are wiser. In short, I just wish to bring a bit of professionalism to a sub-culture that is filled with idiots and ignorants that want to laugh and hump each other on the conference floor while wanking off each others’ egos about how nice their godawful cosplay is. The larger audience, the real people out there, do not give a flying fuck about us and will never regard this as a serious hobby as long as we keep having panels about fanfiction character relations shipping.

Yes dear reader, I’m mad as hell and on my fourth glass of whiskey at the moment. I ran out of pop. I’m going to tear this schedule a new ass to shit from. I’m sorry that it’s Finnish only, God forbid the people running this show to make an English mirror for their site when they have Norio Wakamoto on the stage and people from all over Europe are coming in. God I hate this level of stupidity.

So OK, Saturday morning panels are Tales of Whaa I’m sorry, if you’re having a Finnish panel then have your panel in Finnish and avoid using these godawful jokes in there if you’re not going to make a comedy panel. The panels is a joke from the get go; they’re going to concentrate on the characters and on the story rather than on the gameplay. Because of people like you the game industry is dying for God’s sake I need more whiskey. The panel this joke is going against is Drills, tits, robots and a little epicness- For the love of all that is holy what is wrong with these people? YES, Gurren Lagann became popular as the cheapest whore in a village consisting only of men, but do you REALLY assume that people in this fandom have missed Gurrel Lagann so completely that you need a panel to explain why its popular? This is a good example of a panel that could be replaced with fifteen minutes of googling or ten minutes of Youtube viewing. There’s no reason this kind of panel should be here; it’s repetitive, self-doubting and clearly aimed at somebody who has never heard of word anime in their lives. And every single time you describe something as epic I want to punch you in the mouth with a brass knuckles that have shotguns shells installed.

Next up are Good, bad and brainless? with You have a weird fliflap.
Now the former might actually be decent as it should dog up some really strange stuff, but I’m completely positive we’ll end up hearing of stuff like Dragon Half or bunch of 80’s OVAs. Hell, my blog alone has more obscure OVAs listed than half of the attendees have ever heard. Then we have the flipflap panel and I want to punch these people if they’re going to use original examples or foreign dubs. This panel shares a problem with pretty much every panel that I won’t be mentioning; it has a specific small group to cater to. If you’re not wanting to be a voice actor, or anally pained how the flipflap misses one millisecond on shows, this panel isn’t for you.

I’m not even going to touch DokiDokisomething, Ghibli part of life (BWAHAHAHAHAHA!) and Cosplay and self-confidence (hint; if you don’t have one, don’t cosplay [Hint #2; Cosplay isn’t about suiting up like your character, it is about being the character. Get your shit right, cosplaying isn’t about being in a carnival.]) panels. They’re completely underwhelming by name and content description, and one can find the content they’re going to have with fifteen minute Googling again. But then, we have something that is wrong with the fandom; shipping. Now in general having a panel about the fandom related activity is a good idea, as most of these will go unnoticed by the larger crowd, like what goes into making a doujin comic. Then we have this kind of panels that talk about something that the panel holders themselves do and what is generally considered a degeneratory thing within the fandom. People, don’t have panels about your fanfictions. Nobody cares outside your own little circlejerk friends. Whoops there went through two or three panels.

Even Daft Punk seems to agree that this is some serious idiocy
Even Daft Punk seems to agree that this is some serious idiocy

Lesson #1; Design panels that are interesting to everybody and that is not offensive to anyone in any way. If you’re going to put tits in your panel name, then you better show be some goddamn good quality tits.

Now there’s a panel that I’m interested in, it’s called Anime’s adoption countries = cult series around the world. This sounds interesting, but then again this panel could be just another googling job. Depending what countries are handled, this could be the shining gem amidst it all. Then again, if they fail to mention how Goldorak is the only anime to get 100% viewership around the world when competing channels existed, they’ve failed. France is a gold mine when it comes to anime to the extent some people talk about euroanime. Then we have Interstellar relationship charts which goes through slew of character relations outside the school environment. Good job ignoring Kimi ga Nozomu Eien, [Editor; bastards] and if you’re not going to mention Muv-Luv then you can I need more whiskey to keep going.

Y’know, if you’re going to have a panel about Upotte, please, PLEASE make intellectual wankery rather than about why RK-95 is insane sadistlesbianmistress. It’s not funny, it’s not entertaining and I can’t masturbate to it in public. That would be a nice general rule; if you’re having anything with slightly touching fanservice to level of softcore porn, don’t use it. Otherwise make it a mid-night show and offer people tissues.

Homepropper’s ABC sounds awesome though, the only really interesting panel this far. While there are tutorials and such, this is really a subject that needs the voice of experience. I’m eagerly waiting for this one. The rest of the day is just unwatchable garbage, thou I’ll give the Chuu2byou a benefit of doubt. All other panels I never mentioned can go screw themselves. They bring nothing new to the table and offer no new information or experiences.

So, Sunday starts with with Don’t watch anime named Gundam-

YOU DO NOT NAME YOUR PRESENTATION AS "DON'T WATCH SERIES NAMED GUNDAM" IF YOU'RE GOING TO TELL THE AUDIENCE HOW TO WATCH GUNDAM AND HOW TO RECOGNIZE THE MOST ICONIC MOBILE SUITS. THAT'S COMPLETELY STUPID.
YOU DO NOT NAME YOUR PRESENTATION AS “DON’T WATCH SERIES NAMED GUNDAM” IF YOU’RE GOING TO TELL THE AUDIENCE HOW TO WATCH  A SERIES NAMED GUNDAM AND HOW TO RECOGNIZE THE MOST ICONIC MOBILE SUITS WITHIN SAID SERIES. THAT’S COMPLETELY STUPID.

The panel is how not to watch the Gundam series. This panel is example of all bad that is in the current fandom; plain ignorance and unwillingess to do any research. This panel is going to be so bad and I’m intending to go there and point every single error the guy makes. Y’know how to watch Gundam? GO to Wikipedia and check what has been made and start watching them as they are listed. It’s not that hard, it just demands three brain cells but knowing the generic anime audience these brain cells are already dead and the genitals do all the thinking. Also, I ran out of whiskey and now I’d drinking beer.

I’ll say it now; Sunday’s program is an atrocity against mankind and breaks all rules of the Geneve convention. But the worse is Pokémon vs. Digimon. Props for typing Pokémon with the é, but do we really need to go through a subject that was settled TEN YEARS AGO? Actually more than that. This panel is unnecessary, stupid and completely bullshit. We’re adults, right? We can do our own research to determine which is better. We can sit down and watch both first seasons of the shows and play the games. We can make our own damn decisions. Unless this is a proper debate, then the panel has no reason to be there whatsoever. It’s like having a panel on Galaxt Express 999 and Captain Harlock; the end result is that both of them are awesome.

I’m not saying that the anime fandom has grown in the last thirty years. Some people in the fandom have, and it’s understandable to see young people to have this kind of panels, but seeing this level is garbage year after year sucks all the fun in going to the conventions. There’s literally no program to the general public, only for selected audience in an already small group. It’s stupid. Sticking to one series to show WHY IT BECAME POPULAR is stupid. If you’re going to discuss one series, have a two hours lecture where you spend the first hour setting the series and introducing it while answering questions, and then the second going in depth about it. Opinionated panels are good as long as you’re admitting it and allowing the opposing views have their stay, otherwise your panel is bad comedy. Needs of the many outweight the needs of the one, and the one being the panelist/s. Seriously, if you’re up there having a show, then make sure that it’s quality from top to bottom and something that the audience finds interesting. Fuck what you think, you, the panels, they do not matter nor do your tastes. Props to you if you manage to find a subject you find interest in.

And for the love of all loving Primus do your own research. Hell. I’ll give you some subjects you could do that would demand some research from you; Change of male/female character depiction from the 70’s to 00’s in selected genre; Effects of Star Trek to Japanese popular culture and how it affects modern anime; Manga, anime and games- how branding and franchising one series is alive in the Japanese culture; Midnight anime series and their evolution from adult humour to softcore porn; Evolution of design in anime, or how cylinders became cubes and then cubic cylinders and Mazinger Z and it’s effects on Japanese otaku culture.

Is it too much to ask for some goddamn quality? Well, of course it is when it comes to these people. Well shit, I had to come to that conclusion after seven glasses of whiskey and a bottle of Asahi Dry beer.

Now, I’m not saying that don’t have fun. I’m not saying that you couldn’t provoke your audience with slightly misleading titles. I care about this hobby of mine enough to get mad at people wasting their time, other people’s time and my own. I’m sure that a lot of people will enjoy some of these panels and presentations, but when the offering is this bad from year to year, you kind of lose the sight of what’s really good. What I’m saying that these people, who are clearly amateurs, should put on their best effort to deliver content that would stay away from the negative stereotypes. Pretty much every single held event there is nothing short of piss easy googling and shows complete lack of enthusiasm to the overall scene outside their own interest. This sort of convention only enforces the negative view the rest of the nation has on the people who are into this sub-culture. Not only that, but you can see that these people have no intention of putting a good show. They’re making them just to make sure that they get in free. Well you do a bett– I’m the paying customer. I have no need to do any better. I have all rights the be there to say that this is piece of shit and not worth the 20€ I paid for the ticket. Anyway, I have done better, and I will make a better program than any of these listed here. Hell, my program last year was better than any program any of these people have at Frostbite, OUTSIDE one.

There’s exactly one panel that I’m sure it will be good, awesome, informative, entertaining and interesting. It’s called An invitation to Japanese comic studies which not only tells everything you need to know about the program, but also that these people might have a slight knowledge what they’re going to talk about. The again, they do mention yuri in the panel description, which automatically throws me into a spiral of suspicion. Why to separate it from other genres? Are they going to concentrate on it that much? If so, then they’re going to lose the credibility I have given here. Otherwise Frostbite is like in a mountain of shit there’s a small shiny gem, but if all signs show me right, the gem will only be covered in shit and only mentioned once in a bard’s song years from here.