If there’s something Sony and Microsoft always do during E3 is their showcase how they’re chasing each other. Remember that one time when Sony did a video how you can loan your game to a friend without anything getting in the way? This was in the wake of Microsoft saying that games would be locked to a console, an idea everybody told them was retarded. It was dropped right after and nobody talked about it again.
Microsoft’s big bang for the year is 4k and XbonX. Sony would probably present something similar if they had anything left on the hardware side (they’re most likely already well into designing whatever PlayStation 5 will be) so all they really have to bring you is their services and software. They begin with few long pre-scripted trailers and hype them even further, and then mention all the biggest names on their system. All handful of them. What strikes the worst of the bunch out of this introduction speech is the fact that they felt a need to emphasize storytelling. This never promises anything good when it comes to games. Hell, there are people in the game industry who would rather do stories and feel disappointed that they need to put gameplay elements in-between their story bits.
Which is funny as hell, because Monster Hunter World trailer kicked in right after that, and the series isn’t really known for its complex or innovative storytelling. If anything, it goes its way out not to bother the player too much with the story and just lets you hunt down big dinodragons.
However, Sony still seems to want to ride on past glory, as they’re kicking in yet another remake of Shadow of the Colossus. Sony’s conference is full of sequels already, so they really should aim to make the original Shadow of the Colossus obsolete with a sequel. Not a spiritual sequel or the sort, but another proper game in the series.
Maybe this would be the best spot to chime in about Marvel VS Capcom Infinite as well, as everything we’ve seen thus far has been emphasising the story aspect of the game, not the game mechanics or characters. I’m sure they’re proud of the story that already plays like bad fanfiction where multiple characters aren’t their selves. Hell, I could do a whole post about how Sigma’s been treated a shit hand here. All this really is juxtaposed with Spider-Man, as that game seems to aim to blend storytelling and gameplay as seamlessly as possible, something that should be the standard rather than exception.
Let’s not forget that while Microsoft has no VR, Sony has their stupidly expensive one and they need to promote the shit out of it. Then again, it’s getting the best game of the 8th Generation; Final Fantasy Fishing.
There’s so very little to actually comment about this. Outside the few stupid knacks here and there, Sony’s show was trailer galore. That’s the problem really with the whole E3. It’s nothing but advertisement. There’s nothing wrong about getting excited about products you wish to consume in the future, but recognising that all these conferences are just that. While Sony has a tendency of promising what they’re going to deliver in two years or so, this E3 was a slight exception in that most of the stuff they showcased will be available sometime around next year.
All in all, a good ad for people who own a Sony machine. Relatively low content in terms of what Microsoft had, but perhaps that’s for the best on the long run. After all, people just want to see the games with as little bullshit attached as possible.
Some time ago I was asked what do I think will be the next big thing in gaming. Usually I tend to argue that digital will not replace physical release for some time now (digital distribution has been said to obsolete physical media for some fifteen years for now) but I do recognize that cross pollination between the media is common. The future of gaming can once more found in the past, and that probably will be streamed games.
Streaming games isn’t anything new and few companies have already tried it few times over. Nintendo’s Satellaview service is perhaps the most prominent example next to OnLive’s cloud gaming. These two functioned rather differently, with Satellaview requiring a specific cartridge that would download and save the game on the cartridge itself, whereas OnLive’s MicroConsole TV Adapter (that’s what their console was called) would access a title on OnLive’s servers and stream it directly to the console.
Netflix’s and other streaming services’ success is something modern game industry is probably highly envious of. Games and movies don’t only affect each other visually speaking, but also how the industries sort of work. Modern mainstream game industry is just as corrupt and full of itself as Hollywood is, and both are envious of each other of their successes and products they put out. The consumer really loses in this little battle with each other.
It could be argued that modern technology isn’t up to perfect game streaming yet. Satellaview was more or less a similar service to Steam in how the game required a specific setup in order to be played, and OnLive’s service stated that the user needed to live thousand miles of within their server in order to get quality service. The Internet speeds are the bottle cap of the system overall, and as games require more and more oomph from the machine, the machines need to reflect this in their hardware. However, hardware still doesn’t reflect the quality of the games, as that’s still up to the developers how their games are designed and optimised, two things that seem to be missing from current mainstream industry.
One of the main reasons why companies would want to aim for game streaming is that they can claim it to be fighting against piracy through that. Claim is the choice of word here, because game companies don’t like people trading their games with each other. It’s better for them if everyone bought their games new from the stores. A streaming service would keep their the control of the market in their hands. Purchasing of games wouldn’t be a thing as the consumer would subscribe to a service. Except for the DLC, that would always be a separate thing. Of course, the user wouldn’t need to use any of his HDD space for the games due to cloud based service. In regards of history archiving, stream-only games would be hard to archive for future generations. Satellaview games suffer from this, especially with the radio broadcasts that went with them. Even now, a game that has its license expiring will be removed from stores and online services whenever applicable, and the same will apply to any streaming service.
Of course, the ownership question always pops up. With a streaming service, you would only own the console you would use for streaming, and for computers you wouldn’t probably own the software. You’d need to subscribe to the service itself and would have no control over anything in the end. Without a doubt, regional variants would continue to exists, just like with Netflix and other streaming services that limit what can be streamed in which country. This sort of regional locking is something that isn’t an issue with modern consoles any more, but with stream-only services a user wouldn’t be able to access games from another region without a VPN.
Which if the Big Three would launch their own modern game streaming service first? Sony certainly should have the basics for it, as they bought out OnLive. They should have all the documentation and basic framework how to set up a similar cloud gaming service. Perhaps this could be their ace in the hole to compete against Nintendo’s hybrid console. Microsoft on the other probably won’t do anything of the sort for a while now before they see how Project Scorpio turns out, and probably will mimic whatever Nintendo and Sony put out while trying to trump them with something over the top (see; Kinect and WiiMote.) Nintendo on the other hand seems to be already testing some waters with Switch’s paid online, as the current word on the street is that Nintendo’s paid online service has been delayed until 2018 and rather than offering a game for the subscribers to play, they will be able to access a plethora of classic games. Of course Nintendo would only offer classic games and nothing newer, as they don’t give a damn about their classic lineup of games. On the surface it does seem nice, with the cheaper price and all, but this most likely also means Nintendo won’t give two shits about Virtual Console, which was one of the reasons people bought Wii. Perhaps in their eyes a streaming service of these classic games could increase console sales, especially if the service was cheap enough.
I admit that companies hoping to take control over the consumers’ consumption of goods into their hands does sound like conspiracy theory to an extent, but no company would pass such an opportunity, because ultimately it is all about the money. By having all the string in your fingertips, a company could log in all the preferences of a consumer, supplement them, hit the right spots and sell the information forwards while still selling their own product (i.e. subscription service and DLC in this case) to the consumer. The current consumer trend is to give control of products over the companies, and Steam probably exemplifies this the best alongside with Netflix. Certainly it is cheaper and you don’t amass large amounts of discs on your shelf. Perhaps there is too much trust put into these companies with all the information we give them.
Neither are their developers or any of the individuals we see on streams and in interviews. Nintendo’s value as a brand goes up and down according to what they do. While branding is often given to the visual design and flavour of a company or a product, everyone knows branding is a lot more. If not consciously, then through unconscious osmosis of simple consumption of products. Brand goes hand-in-hand with reputation and the perceived value of the product produced by the company. Naturally, the product’s perceived value colours the value of the company.
It is extremely easy to make your product to look bland, and once you’ve made that misstep, it’s hard to recovered. Mass Effect Andromeda is extremely bland bland game and thus its perceived value is low. Patches only help so much, and PR is what the publisher must do in order to recover from the failure. It’s even worse if the fans lose their perceived value on the game, and that takes some effort to do. Like making your characters hold guns in reverse and essentially making it inferior to the first title in the series. Much like other AAA video game titles, it’s a very bland, very grey product.
What brings colour into a product is disruption. Nintendo has a history of heating up the Blue Ocean and disrupt the market with coloured products, though they have a history doing very grey products that wallow in the Red Ocean as well. The Switch, as it is currently, is about disruption in the video game industry. Unlike Sony and Microsoft, Nintendo went with what probably is the future of console gaming and created a hybrid system.
To use car industry as an example, Volvo’s brand is security and safety. Their cars are not the most exciting things in the world, but they are very trustworthy overall and suit the best for everyone. Until somewhat recently you couldn’t find a car that would move away from this branding from their main lineup. This is because Volvo has begun to change this somewhat bland yet trustworthy brand image of theirs with premium cars that offer more exciting cars. Their image is not safety, but the content with the car and the options you can have.
Nintendo’s brand has been perceived similarly as kid’s and family’s console to play. A Nintendo console usually has a good variety of games for everyone to play, whereas Xbox is a first-person shooting game wet dream in console form (though that has been severely diminished with the lacklustre recent Halo titles) while Sony is that black console cool kids who like hardcore games go for. The original PlayStation followed Nintendo’s branding as a whole family’s future generation console, but at the same time used Sega’s not-just-for-children approach. While the PlayStation had games that kids enjoyed, it also had titles like WipeOut that hit the cultural club scene if the latter 1990’s. The N64 on the other hand wasn’t everybody’s console due to the sheer shit tier library it had. Saturn was ever successful in Japan and was mostly staying within then-passed arcade port title. As much as it hurts Saturn and Dreamcast fans, arcade ports didn’t cut it any more at that point, and arcades themselves were starting to die out.
People don’t just buy what companies are selling. They buy the perceived product the company is selling. Shit in a can isn’t perceived valuable, but when an artist does it and sells it as art, the perceived value among certain crowd skyrockets.
Nintendo Switch currently has a highly regarded perceived value because of The Legend of Zelda: Breath of the Wild. No other title is driving its sales as much. 1-2 Switch is a joke, though the new Bomberman seems to have gone through a rise in perceived value after the latest patch. The Switch is currently the prime example how game industry and the Red Ocean consumers don’t get the market worth jack shit. As I’ve mentioned before, the Switch was proclaim dead on arrival and that its weak hardware wouldn’t be able to do anything. Yet, BotW alone is driving Switch’s sales. This is what a Zelda game is capable of when it is allowed to be true to the series rather than just a puzzle-dungeon game. Less Aonuma there is with Zelda, the better it gets.
It doesn’t matter if you personally think that these people who bought Switch and are enjoying its games are normies or have shit taste. They are not the deviation of the form, but the rule. The AAA game industry might shove millions into a game production and barely make even with the Red Ocean consumer, who seems to be easier consumer to please and pull money from as the Red Ocean is filled with competition. Developing and releasing games and consoles is hard work, and while it can be understood why Red Ocean developers want to stick where they’re most comfortable at (of course, with no expanded life experiences outside games, how could you even imagine developing game for the Blue Ocean consumer? Shoving an agenda to the player’s view is the last thing they want) and this is why even 10% drop in sequel game’s sales will put alarms on. Despite millions being in play, even the slightest change will throw the finely tuned balance off.
While video game industry is creative, it is service industry. If you want to use this sort of comparison, video game developer is on the same level as a burger flipper. Developers’ job is to serve the consumer and their needs, it is the consumer who ultimately decides whether or not your product is good enough to be purchased. You can work your burger however well, but if the consumer doesn’t want it, the onus is on you. Not on the consumer.
Nintendo’s last three home consoles show how their disruption coloured their brand. The Wii , as much as the Red Ocean hates it, was a massive success because Nintendo didn’t stay with the comfortable Red Ocean market. The Wii U was made for the Red Ocean, and it succeeded worth jack shit. Hell, it was pulled from the stores to make room for the Switch, which again has disrupted the industry and hopefully will continue to do so with both low- and high-end software aimed for everybody.
Much like with other modern technology, we’ve managed to squeeze more into smaller space. The laptops or pads we have nowadays are engineered to a point that barely anyone can open up their cases and fix them without further studying on the subject. Game consoles aren’t any different, though the PlayStation 4 is almost as big as the original Xbox. It wasn’t until we began to have consoles that began to show easily damaged sections in the mainline consoles. While the PlayStation could take some hefty damage (personal experience tells me it can survive a trip in a lake), the PlayStation 2 could be damaged by having enough weight at the wrong spot. This was the time when PCBs started to become thinner and more packed up with components downsizing with almost each year. You could lob a NES or SNES outside a window have it working with a cracked case, and the same really for the PlayStation as well. Personal experience, don’t ask. PlayStation 2 however was the first truly delicate piece of hardware that in the end begun to have issues with reading the discs. Sometimes from the very beginning.
Goddamn, this video came out sometime early 2000’s. Takes me back
Nintendo’s consoles usually have been durable, especially their handheld consoles. There has even been discussion how Iwata drove the DS’ tech team mad by demanding the console to be able to withstand multiple drops from a standard height.
However, the more we pack delicate technology in a smaller place, the more easy it is to break it. While most people fellate companies over the hardware, it’s uncommon to see anyone appreciate the design and intentions of the design. The PSP was applauded for its higher raw power over the DS, and while it was snazzy to have in your hands, it was a delicate piece of hardware that could break down very easily. The console wasn’t meant for everybody, and much like how SEGA used to sell Mega Drive for more mature gamers, SONY’s western branches clearly had the more adult audience in mind. The PSP really couldn’t take much damage, I’ve had to fix a few. The same applies to the Vita to some extent, thought the Vita seems to be able to take a beating or two more than its elder sibling.
The Switch has been out only for a while, but it’s already showcasing very erratic behaviour. Some have it going completely mad in sound department, some consoles refuse to launch games, connection issues with the controllers, and the screen’s been scratched by the dock itself. I saw the dock scratching issue the very moment the whole thing was revealed (it had no guiding rails to keep the screen clear), but having a plastic screen is a necessity. Why wouldn’t you want to have a glass screen? They’re so much better! The reason for this is safety and durability design. See, when you have a plastic screen, the console can dissipate a fall impact by wobbling around rather move the energy directly into rigid parts, destroying them. The very reason your phone’s screen shatters so easily is because it can’t bent, and the energy from the is released by shattering. It’s a design decision between durability and looks.
To sidetrack a bit, this really applies to Muv-Luv‘s BETA as well. The Destoyer-Class has a shield hardness of Mohs-15, but because that’s hardness topping that of a diamond, their shields should shatter when shot at. They don’t flex when hit due to their hardness. Mohs scale is for mineral hardness after all and should never be applied outside jewellery.
Newly borked devices is nothing new, either. The 360 had firmware issues since day one, and the infamous Red Ring of Death haunted machines every which way. Hell, the 360 may be a good example overall how to fuck your console from time to time, as some of my friends have told me their 360 crapped out because of an update. For better or worse, my 360 hasn’t crapped out yet.
No modern console is truly finished at launch. Firmware and software issues are relevant and will be patched out at a later date. This is largely due to modern technology. A Mega Drive never needed firmware patches, because it was less a computer than the modern machines. Whatever problems with the firmware Switch has now will be patched at a later date. However, the hardware and design problems are harder to fix, and if Nintendo is anything to go by, they may revise some of the designs in later production versions.
Though there really isn’t any good excuses to use paint coating that peels off with stickers. That’s just terrible. Who puts stickers on their consoles any more? You’d be surprised.
The first wave of adopters will always have to go through the same pains with modern technology. New smart phones and tablets suffer from firmware issues to the point of most common consumers willingly buying last year’s model in order to get a properly functioning device. The price has already dropped at that point too. Apple has been infamous with some of their smart devices’ firmware problems, and sometimes they were removing basic utilities from the hardware alone. Nobody really expected iPhone 7 not to have a headphone jack.
The question some have asked whether or not it’s worth buying a game console, or any modern smart device or computer component for the matter, if they require multiple updates months later down the line? We can’t see into the future, and it’s hard to say what device will go through a harsh update cycle. Essentially, you’ll need to look into history of a company and make a decision based on that. Just trusting that a company will update broken parts is strongly not recommended.
I guess releasing things partially unfinished and patching them up is an industry standard practice. Games get patched to hell and back, and while this isn’t much new for PC side of business, it’s one of those things that show how little of classic console business is in modern consoles. Not all games get patched though, even when they have console destroying bugs in them. NIS America’s track record with localised games that supposedly lock permanently and prevent you from finishing the game, break your console or generally have terrible translation would a perfect chance to use these patches to fix these issues. However, unlike with consoles and other devices, game developers can ignore these problems as the purchase has already been made and they probably are banking on hardcore fans.
Not that any product is final when it’s released. All products are good enough when released, but that good enough has seen a serious inflation with time.
These reviews are rarely well thought out. Well, this time I had a complete idea what to review, but the mail never delivered the item in time, so I’ll have to move the planned review to a later date and think up whatever I have at hand. The thing is, the poll I had on Twitter some time ago resulted in most people wanting me to review something video game related, and I’ll be sticking to that result to a larger extent. No more knife or sharpener reviews, unless something tight comes by. However, I’d still like steer away from the usual review-a-game model. Peculiarities are where it’s at, at least for me. Controllers, system designs, cartridge reviews and so on probably will be the more mainstay element. You’ll see more or less normal game reviews anyway by the end of the year with Top 5 entries.
All that said, I did mention I’d review PlayStation 4’s Dual Shock 4 some months ago. Think this as future proofing to have a point of comparison for the upcoming third-party controller review. I’m always looking for alternative controllers that are as good as the first-party controllers in their own way. Horipad 3 Mini is a good example what tickles my fancy when it comes to more budget price controllers. However, what personally bothered me was the question whether or not the review does justice to the controller if the reader has no idea what’s the take on the base controller. Controllers also have the problem of preference. The original Xbox controller may be huge, bulky piece designed for American hands. That’s not a jab at it, it’s just stating the fact. The Japanese tend to have smaller hands, Europeans tend to sit somewhere in the middle. While the second iteration of Xbox’s controller was met with applauds, there were those who preferred the original one. If we had something called Objectively best controller, we’d have no use for anything else. However, controllers are just like pasta sauce; there’s at least one flavour that’ll be to your liking.
The version I’ll be using for this review is the DS4 model New Model. Outside two points, it’s design is the exact same as Old Model.
Let’s cut the chase; the DS4 is the best PlayStation controller SONY has produced to date. It’s not perfect, but this controller shows that breaking your mould you’ve had for a decade usually works for the better. The thing with design is that it evolves along accumulated data and production technology. The DS4 is a proof of this in itself.
So let’s give the usual bits and spots what’s on the face of the controller. You’ve got the usual action buttons, them being more or less SONY standard in a positive sense, a pretty good D-Pad on the left, two concave sticks that are a step-up from the previous controllers (thou seemingly extremely prone to quick wear and tear), Share taking Select’s place and Options being’s stuck in Start’s place. This big slate in the middle of the controller, just above the PS button and speakers, works as a touchpad and a large button that rocks back and forth.
The D-Pad is SONY’s best to date. While it is their usual schtick, it is extremely responsive and hits all the extremes just fine. The concave section in the middle let’s your thumb know where to sit just about right. There’s very little resistance when rocking the D-Pad around, but there is just enough to give that good kind of tactile feedback from the rubber domes. However, this being usual SONY, the D-pad will hurt your thumb on the long run. It’s just hard enough with ever so slightly too sharp corners. However, this is partially a necessity in order to make the D-Pad flat while keeping the SONY look and not resorting on anything that could remind either Nintendo’s or SEGA’s pads.
Share and Option buttons are clicky, but they are unsatisfactory in use. For whatever reason, you have to put blind faith and visual input whether or not you’ve pushed the button down enough. The travel is not far, but the fact that the buttons are shallow and somewhat awkwardly placed. This placing is of course due to the plate, that functions both as a touchpad or general go-to button, opening menus and such. In New Model, there is a slit on top of the plate that allows light to come through that doesn’t exist in the Old Model.
The plate wraps to the top of the controller. The shoulder buttons are always a mixed bag when it comes to controllers, and it seems they always change the most in trying to find something new or hitting the sweet spot of current trends. SONY dropped the angular design on them, and rounded the L1 and R1 buttons with ever so slight convex middle to set your fingers in the middle of them. The slight texture is similar to the previous controllers, but not as pronounced. A good feeling overall. L2 and R2 are triggers similar to DS3, except this time they don’t suck. Their elongated form with a curve doesn’t make your finger slip off so easily this time around, and the spring gives them a rather comfortable resistance on its long travel distance. The light bar is actually pretty bad and far too large, and in dimmer rooms it will colour surfaces and even reflect from the playscreen. It would have been better to do away with it completely, but SONY’s using it for some camera stuff based on Move Controllers’ tech. I would’ve preferred a larger USB slot here, it feels that I see more broken micro-USB leads and sockets than it should be normal.
The angular design of the back of the controller doesn’t interfere with the player’s hands and fits hands rather comfortably. The handles are well-shaped to be grasped and held, so there’s nothing special to mention about them. However, the curve under the L2 and R2 buttons has a harsh angle to meet up with the buttons when they’re pressed down, and these can chafe against your fingers depending how you hold the controller. It would seem you’re supposed to have fingers on all shoulder buttons at all times to prevent the chafing. The area reserved in the back for fingers just isn’t large enough, or the harsh corner should have been changed to something else. The trigger’s underside also will collect some dead skin and other oddities to them due to the open edge.
Might as well talk about the controller’s two halves as well. The top is sleek, semi-matte plastic that will polish fast as you continue using the controller. It’s not the best choice, and makes the controller feel just a bit too cheap for its price point. However, the second half, that wraps to the front at the ends of the handles, has this every so slight texturing to it. The feeling of this texture does not intrude and is even pleasant to the touch. The texture is actually slightly raised flat circles.
Overall, as I’ve mentioned few times around, the DS4 is the best controller SONY has put out in their mainline consoles. It’s not without its own flaws, but this has been a definitive improvement. Whatever they decide to do in the future, I hope they continue to improve on DS4’s design, thou the next step might be for the worse without changing controller paradigm. I doubt SONY will do anything like that, they’ve always been following trends rather than making them. The New Model also works on PCs via a cable, something the first one didn’t do.
What else could I say? The DS4 is a fine base controller that serves its intended use.
I really do sound like a broken record at this point. With the leaks about Switch being less powerful than the PlayStation 4, things have gotten on the overdrive again with calling it a failure on the launch. None of Nintendo’s more powerful consoles have been a success. As Yamauchi said, a game console is just a box to play games on.
Take a look at Nintendo’s history with consoles. NES was underpowered compared to its competitors, yet it came on the top. Well, except in Europe, where Nintendo fucked their marketing and Europeans had their computer games. SNES was ultimately weaker than the Mega Drive thanks to the addons and despite them still came to the top, not to mention the other competitors of the time. N64 failed despite having more powerful hardware than the PlayStation or Saturn. GameCube too was ultimately a failure despite topping the PS2. The Wii was a massive hit despite being weaker. The Wii U on the other hand had jack shit when it came to software (just like the N64) and had that huge controller nobody wanted. The same can be seen in the handheld market. The Game Boy slaughtered all of its competition as did the DS. The Vita could have trumped the 3DS if it had any software worth shit, but SONY repeated the exact same travesty they did with the PSP.
The common consumer doesn’t give jack shit about how strong a console is. Why? Because they know hardware does not mean better games. People absolutely hate paying for new hardware, because it’s the games that matter. The hardware race has always been part of the PC culture, not console. Consoles have been about software race. Tech fans no need to apply for console gaming, if we’re being brutally blunt here.
Because Super Mario Bros. was such a success, you saw a lieu of games trying to replicate its success, most notably Sonic the Hedgehog. The developers just need to do their job and optimise the games, and even better, design games from the ground up for the Switch and all is golden. Of course, because everything just runs on the same engine as everything else and nobody bothers doing any extensive optimisation to ensure the smoothest possible experience (or even know how to do that at worst case) we’ll just get sad and hastily put together ports.
Consumers never bought Nintendo consoles for them being Nintendo consoles. Not outside fanboys. People bought them for the software, for Mario and Zelda. People bought PlayStation for the same reason; it had games they wanted to play, not because the hardware. Nintendo is not a niche as some would assume because of their approach. No, on the contrary. Their consoles tended to be cheaper and smaller than the competitors’ because of matured technology. This is again one of those things we’ve gone over so many times, but seems like people are still ignoring the fact when Nintendo uses Gunpei Yokoi’s philosophy alongside Yamauchi’s, they strike gold. Nintendo, when they are at their best (NES, Game Boy, Wii) Nintendo is far from being a niche. Electronic games isn’t just a hobby of selected group of people, but something all can enjoy, and striking that Blue Ocean should be expected and even wanted, not the opposite. Losing hope over lack of hardware prowess is useless. Your life doesn’t depend on a game console, go outside camping sometimes.
Switch has few points going for it that most seem to ignore. One is the cartridges. This needs more fanfare, as it means the games themselves will be far more longlasting than the optical media. The lack of long loading times helps too. Oh now you care about hardware? Oh you. Secondly, the fact that the Switch is a hybrid also means the games are not required to be connected to the Internet all the damn time.
The biggest problem the Switch currently has is the fact that Nintendo isn’t showcasing any of that software. This is the sole reason why people are talking about Switch’s hardware to the extent they currently are and each and every bit of information is torn apart. There’s nothing else to talk about the Switch, and I haven’t seen anyone else to discuss its design either. The latest The Legend of Zelda got pushed back too, so the media can’t discuss that either. So, hardware it is for them to keep the clicks up. I guess I’m no better, commenting on the fact. Unless Nintendo rolls something significant on the software side with the Switch, there’s no valid reason for me to discuss it any further.
One of my New Year’s promises should be to throw this broken record to trash and just re-blog the sentence Software matters more than hardware whenever applicable.
During the last generation Xbox 360 and PlayStation 3 were dubbed the HD Twins. Not necessarily by the industry itself, but at least a small amount of people. While the current generation, that will be usurped by the Switch next year, started with HD as well. However, seeing we’re again at a point where companies do mid-generation upgrades instead of just mid-generation re-design, I’ll be dubbing PlayStation 4 Pro and Project Scorpio, whatever its finalised name will be, the 4K Twins. Technically, Xbox One S should be added there too, but the games are upscaled to 4K rather being native. Call me nitpicky.
The 4K is a bit of a problem, because most people don’t have 4K screens yet. Just like HD became a thing in the last generation, it’ll take some time before 4K becomes a standard. Scratch that, technically 4K is a standard already, but the standard is not widespread within the general population in the Western world like. It takes time for people to adopt the latest cutting edge technology, and that’s good. Why is that good, people are holding technology back! I’ve heard someone ask. The reason is that despite some technology not being able to sell well at first, the reasons can be many. The high price, the unnecessary complex nature and usage, quality and sometimes not being wanted often are the more pressing elements. LCD television technology itself is a good example of this as both LCD, Plasma and CRT television existed, and to some extent still exist, beside each other.
It would seem that the general population prefers to have mature technology in their hands instead of cutting edge.
The 4K and HD will exist beside each other at least to the end of the century, if not more. This is a guess on my part, but seeing how 8K is already making its first initial rounds, investing into a 4K screen might feel a bit off. Then again, that is the evolution of technology. Something new will always be waiting just around the corner. That’s why we always come to a point where we can pick something new up, or wait until things are ironed out and becomes more affordable.
That doesn’t really work with the 4K twins.
If these were redesigns of the existing consoles like what we’ve seen in the past, there would be no real contest which one to pick up. Usually. The last version of PS3 is just ugly. The issues with PS4 Pro and the upcoming Scorpio will have whole slew of new problems that have not yet been fixed. Mainly because we have don’t have an idea what those problems are, but most likely both companies are well aware of the issues with their machines prior to launch. The Red Ring of Death is still something that looms over Microsoft’s machines. I haven’t heard any major malfunctions from this generation, outside some people seemingly having a bricked Wii U thanks to Mighty Number 9, but at least one person has reported a molten PS4Pro. Take that as a grain of salt and do some research on the whole thing. Every thing’s possible, I guess. I’m no plastics expert. However, ever a single case like this usually rings the alarm bells in people’s heads.
The whole possibly molten PS4P aside, the issue that we should be more aware is the performance issues. Perhaps the hardware found in the PS4P is of higher calibre than the base PS4’s, but that should also mean that the games should run at a higher quality. Yet, if we take Digital Foundry‘s reports true, some games run worse on PS4P for whatever reason. Be it because of the new hardware or lack of optimisation (or the lack of experience in optimisation on PS4P) this is something I wouldn’t accept. But Aalt, aren’t you the one who says graphics and hardware doesn’t matter? Yes, yes I am and I’m getting to that.
The whole deal with mid-generation updates is, by all means, to allow the developers to put better looking stuff out there and have their games run better. In reality, this thought goes only halfway through. Devs most likely will push for better looking stuff, but will continue to ignore optimisation and 60fps lock if the game needs to be out. Some titles will sell with their name alone, damned be the quality of the title. The design quality of a game should not be dependent on the hardware. The controller a game is played with affects more the design than the hardware, thou we all can agree that simple number crunching power can allow some neat things overall. In the end, it’s the design that counts. What design, well, that’s another post.
Now, the question I have about the PS4P, and Scorpio by that extent, if we should be an early adopter or sit back and wait the kinks being ironed out. Honestly, that’s up to you. Some places recommend getting the base version for normal 1080 screens and some say go for Pro anyway. I’d recommend just checking the facts out and making a decision on those.
But, there’s another quick thing; should we all just jump in with the latest tech and keep things rolling around at the speed of sound? No, because that’s impossible. As said, most prefer mature technology and even tech that’s half a decade old can feel the most wondrous when properly designed and put into use. Those who didn’t experience Laserdisc’s abilities to have multiple languages on the disc were in awe by DVD’s ability to house such things. There’s also the point that not all people simply have the money to keep up with the pace. As such, expecting companies to have things living beside each other is to be expected and that is exactly why SONY has not yet moved the base PS4 from the market. People will simply pick it up for its price alone and might have rationale reasons not to go for the more expensive piece.
You can future proof your technological choices only so far. At some point, all your equipment will be old and replaced with new standards. Old does not mean obsoleted, and old can be of service years more than the newfangled piece of tech with all the problems still laying in the shadows.
I admit that this post was, to some extent, me putting my own struggle with the current generation down and to try make sense how to proceed in purchasing a console, or if I should even make a purchase overall.