The title may be click bait-y, but it’s really the best title for this topic. This will kick off a loose Monthly Three for the time being, as it seemed most people deemed themed posts worthless. But first I’d like to note that I am talking about the casual game industry, not about the casual gamer.
What the term casual gamer entices in the end is muddy at best. Its meaning has changed significantly at the core to the point of it being mostly a throwaway marketing term to push certain kinds of products over the other, and largely to condemn consumers with certain tastes and habits.
The first console in the 2000’s to be named as casual to any extent was the DS due to it having low-end games in mass quantity. Low-end game does not mean a game that is bad, technically or in design, but a game that is extremely easy to get into and play. A low-end game is not necessarily lacking in content or anything that most people would associate with so-called casual games, as New Super Mario Bros. on the system would show. To go further back in time, many modern industry workers who played the NES would not consider Super Mario Bros. 3 in the same league as Wii Sports, but both titles are high-quality low-end games. In comparison, the DS had high-end games like Solatorobo and Umihara Kawase Shun Second Edition Kanzenban, which in comparison weren’t massive hits. Mostly because the aforementioned Umihara Kawase title was Japanese only, but you get the picture.
The Wii is often regarded as the pinnacle of a console, where quantity was over quality, thou history would disagree. There are consoles out there that may have smaller library of games, but in reality only one or two games are even decent. Virtual Boy being an example of this. The other end would the Game Boy and the DS itself. Nevertheless, the Wii was regarded as the most desirable console out of the three of its generation and sold higher number of consoles than its competitors. Not because of wagglan, like most suggest, but because the Wii disrupted the game industry.
The industry had abandoned low-end games almost completely before the DS and the Wii, producing mostly high-end games. These games were not of highest quality either, so for every few good title you got loads of titles with pretty design and technical aspects. The PS2 library is like this in large extent. The consumer base was not being expanded and companies continued to cater to the niche, red ocean consumers. Most people who bought a PlayStation seemingly moved to the PlayStation 2, with those who didn’t have faith in the Dreamcast and whatever Nintendo would be pushing out after the N64 were doing the same. Much like how most American comics only sell to comics comic nerds without any regards, and even in that there has been changes to cater a more niche audience.
The Wii however started much like other Nintendo’s successful consoles; low-end, but high-quality titles. This disrupted the industry, as there was very little production of low-end games going on at the time in comparison to the 1980’s or even the early-to-mid 1990’s. This goes hand in hand with the rising costs of game development, where higher-end game requires higher bucks to be finalised, but it will also lose big if it’s a bomb. Wii Sports is a perfect example of a low-end game hitting what the general consumers were looking for. Without a doubt it’s a game with a very simple surface that anyone can access, but the underlying layer of complexity, the physics, offered a challenge. There were multiple modes too. It’s execution left people to yearn more of content in similar philosophy, but after a booming start, not even Nintendo kept up with this. It’s much easier to realise your own dream of a game than take consumers’ voice into account.
However, making a good low-end game is hard. Not anyone can replicate Super Mario Bros.‘s quality, and even the Big N themselves shot themselves in the leg by giving their later 2D Mario titles less attention and resources during development, thou Miyamoto himself has admitted that 2D Marios take more work to make right. No wonder they released Mario Maker to take off that load from themselves.
The game industry doesn’t like being disrupted, especially when disruption ends up making a company huge amounts of money. Looking at the coverage the Wii was getting from both industry insiders and gaming press, the news are pretty raw. Outside the usual Nintendo’s finished we see every time they release a new console, the consumers were pretty much called idiots and considered almost like subhumans who couldn’t appreciate the marvels that HD gaming and cutting edge hardware could produce. This attitude is very apparent in the third-party games on the Wii across its years, as there is no passion in the titles. These people who bought the Wii, they weren’t the people who bought the PS2, these weren’t the people who played games. They were casual gamers. Who has a passion to make games for people they consider as idiots, unworthy of appreciating true pieces of works?
The game industry created an industry just to cater the consumers they thought they were seeing with Wiimotes in their hands, but in reality no such area existed. This was apparent in the sales as well. When the third-party games turned out to be less than satisfactory, the Virtual Console titles became the main point of the console, outselling even Nintendo’s own new titles. Super Mario All-Starts 25th Anniversary Edition was a surprise to Nintendo, as people still wanted to play those games. Low-end and high-quality combination has always been highly desired combination when it comes to gaming, and largely is the silver bullet in plans to make a successful game. The rest comes with world and game design.
The death of the casual game industry essentially came to an end when the industry stopped making games for idiots. It wasn’t because of the hardware’s power, but the design and utility of it. It’s surprising how little people consider a console’s design anywhere else but in outer appearance and technical hardware, except when something negative had to be mentioned. The Wii could use traditional controllers, it had the Motion controls, which also served as a more traditional NES style controller, and it had the possibility for multiple other input methods (at least on the outer appearance.) However, all this largely fell apart, the potential of the Wii was kicked in the curb when Nintendo moved onwards to concentrate with their next console. If I were to say my view on the matter, the killing blow Nintendo dealt to the Wii was Wii Music, a title that nobody ever wanted and a title that showed that Nintendo too believed their consumers were idiots, unwilling to purchase their masterpieces… like Metroid Other M. Indeed, Metroid Other M is like anti-thesis to Wii Sports, filled with the intentions of making the best story-driven high-end Metroid that would wow the opposite audience of these idiots, ensuring that Nintendo and the Wii that they were the shit. What happened is common in cases like this, and the less said about it the better, except that it is a title that showcases how Nintendo once again left their larger audience, the audience that had made them a recognized name in the overall popular culture.
Nobody makes a bad game intentionally is something I hear people saying when it comes to terrible titles. However, not everybody aims to make the best title either, lacking either in passion or will to go all out on a game they themselves have little faith or value in. The casual game industry died when the industry largely stopped producing those games, to some extent. The Wii U is filled with middle-end games with no quality whatsoever, despite Nintendo making it the anti-Wii. The 3DS had such an awful start with ports and carry-over titles that it wasn’t desired until the library had grown and saw more low-end titles with less emphasize on the 3D. The less Nintendo listens to the industry, the more they find success. It just takes loads of work.
The argument that you need third-party products to succeed nowadays is partially correct. You need high-quality products on your system across the spectrum, not just from one end of the spectrum no matter who makes it. A game library is like a food circle, with high-end games being the meat and low-end games being the greens. Breads, rise, pasta etc being lower-mid end, milks, meat and fish being higher-mid end and high fat foods being the high-end foods. Roughly speaking, that is.
Ports of games people are already playing on a different systems does not allow it to rise above from the sea of grey, and seemingly ports are treated as the fries of a console library; they’re there to supplement the main burger. Third party burgers aren’t rare either, seeing both Microsoft and Sony have largely relied on third-party to make their systems big hits. Except for Halo in many ways.
Will Nintendo Switch have a casual game industry? Only if the developers start treating their consumers like retards again and unwilling to produce quality products for the system. They’ll feel that in their pockets then. Whatever the Switch ends up being is completely tied to its software library.